Tracy Lay just kicked out a design review for the Robonk version 1.5 look. It explains a ton of what I was looking at with the new style. Check it out.
Most comic strips evolve. Peanuts did. Dilbert did. Beetle Bailey did. I’m not saying Robonk is in the same league at all. What I am saying is that the cartoonist learns and evolves their strip. That’s a real thing.
Here’s the visual changes to Robonk in the first two years:
Alpha level : Spring 2017
Gotta start somewhere.
v1.0 : First real Robonk strip (#00000)
The robot got its own font. The title panels were massively improved.
v1.05 : (#000B9)
Same basic system as before, but some technique changes were developing. Robonk is generally zoomed in more and the talk bubbles at this point often have elements overlapped on top. Font size was reduced. This was the 177th strip.
v1.5 : (#00100) : The new look
The Robot is generated the same way as with the Alpha level strips (Tinkercad) but…
- The bubbles have new individual looks for the robot and the human.
- The human has a new font.
- The background has a blue fade.
- The bubbles are created using a newly written (just for Robonk) jQuery/HTML/CSS system called Bubblematic.
Bubblematic makes creating strips much, much faster. I used to spend a large chunk of time building the quote bubbles. Now, Bubblematic handles that quickly and with precision. Automation made the ELIZA AI writing process much more efficient (Robonkers system), and now the drawing side has a custom software tool too.
Here’s a screenshot of Bubblematic v1.0. I normally make prettier interfaces, but this is an inhouse tool for just me and it works nicely as is.
All the new software has improved the quality and speed of creating new Robonk comic strips. It makes me wonder what it’s like to actually write and draw a comic strip.
Robonk is very different from other comic strips. Most notably, it is written by 1960s-style Artificial Intelligence (AI) called ELIZA responding to online adultery dating profiles. The early process was to copy/paste the lines from the dating profiles into ELIZA. This process was notably more labor intensive than desired and time consuming. See the earlier blog entry for an idea of how things were done initially.
Robonkers is the new script generation system for Robonk. Robonkers allows me to edit profiles before they are fed into ELIZA, and then it runs all the conversations in one go. The resulting text is then manually edited for final scripts.
One of the advantages of running at a crude level early on with copy/paste is having a better idea of what the more advanced next system needed to do and how. After months of using the manual method and seeing what would help the comic strip, building the new system was pretty easy.
There’s still a ton of room for improvement for Robonkers, but as it sits, it’s far nicer than the earlier days using copy/paste. It processes 3000 profiles in about 15 seconds. That’s nice.
When you’re using artificial intelligence (AI) to write a bunch of a comic strip series, especially crude 1960s-style AI, it’s going to be awkward. That’s to be expected. There was that one time when the human said (in episode #00063):
…and then Robonk replied back with…
That’s going to happen when dealing with 1960s style AI. The humans have different issues.
The human lines in the Robonk comic strip come from online dating profiles. The humans also error, typically with spelling and punctuation. Here’s an example involving a recent strip. In one place, the human has jackalope spelled as “Jacalope” and of course Robonk repeats the error.
Later on in the same person’s profile, they correctly spell jackalope:
Upon further review, the term jackalope shouldn’t be capitalized. So, I’m now going back and correcting this edition of Robonk before posting it on the Robonk facebook page. It’s #0006E and can be seen here at Robonk.com. And yes, jackalope, like Robonk, is a portmanteau.
The video The Day You Became a Better Writer — Writing Tips from Dilbert Creator Scott Adams is worth watching from beginning to end. The section about the Humor Formula stood out to me (starts at around 21:30).
Here’s some quotes from Adams that explain the Humor Formula:
“I realized there was a formula to that makes something funny. Specifically, the formula is this: You need at least two of what I call the six dimensions of humor.”
- Clever: “You recognize clever when you see it. It’s just combining things that people didn’t think you were going to combine, but yet you somehow made it work.”
- Naughty: “Naughty is usually just sex or bathroom jokes.”
- Bizarre: “Bizarre just means two things out of place.”
- Cruel: “Cruelty is a staple in humor. Cruel just means something bad happened to somebody or you said something unkind to somebody. You know cruel when you see it.”
- Cute: “Cute is usually just kids and animals.”
- Recognizable: “Humor usually requires that you recognize something about the subject of the joke being like your experience or like yourself. It’s either like somebody you know, like you, but has to be familiar. Something you recognize.”
This quote stood out:
“If you look at the comic strip Calvin and Hobbs, there was a cute kid, and a cute animal, and the animal talked, and sometimes it was a stuffed animal, and sometimes is was a real tiger. So, he had bizarre and cute in every comic. And here’s the key: before he even started writing, he had cute and bizarre covered.”
I won’t audit the comic strip written by artificial intelligence (AI) software and online dating profiles known as Robonk, but I will note that a typical Robonk strip has clever, naughty, and bizarre, at least to some degree. When Robonk debuted in March of this year, a surprise was a person who found Robonk amusing in part because they had a friend with a series of disastrous online dating experiences. For them, it was recognizable. I didn’t think of that possibility, but there it was, at least for part of the audience.
I do recommend watching the whole Scott Adams video. Informative and not excessively long.
The comic strip series Robonk isn’t written by the creator/editor. Instead, text comes from a 1960s-style artificial intelligence (AI) program responding to online dating profiles. So, about half of it is written (or repeated, anyway) by Chatbot-Eliza-1.06 (modded to state the name as Robonk instead of Liz) and the other half comes from humans looking for sexual encounters.
To date, the script process isn’t too sexy, and I’m doing a lot of copy/paste to get things rolling. At some point, I’ll probably automate out the current rough script process, but I’m not there yet. There’ll be some waste in that process because adding punctuation where the humans failed sometimes makes the difference between a script that works and one that doesn’t. Here’s a screenshot of what the process looks like in June of 2017. This work will most likely result in comics in the #00040-#0005F range.[Editor’s note (2019-02-01): Script generation became far more automated after the creation of the Robonkers script generation system in the fall of 2018. The post you are reading explains how things were done early on.]
If you ever wonder what the text was like in and out of the AI, there is a “source” link with every comic and you can see what the software wrote in response to the human.
I keep learning from the earlier strips on what works, what doesn’t, and what can be improved. It’s an odd comic strip in that I don’t write anything, so what I do from a narrative perspective is really, really, really limited.
An obvious question with a new comic strip is what to name the main character. I didn’t have a name out of the gate, so I had to come up with one. I figured it would be nice to have a name that was:
- Containing a tie-in with robots and/or psychology
- Available as a .com domain
I played around with some names based from famous people in the psychology field, but ultimately ended with a combination of two terms, which makes the name a portmanteau. From the Wikipedia page for portmanteau:
A portmanteau (Listeni/pɔːrtˈmæntoʊ/, /ˌpɔːrtmænˈtoʊ/; plural portmanteaus or portmanteaux /-ˈtoʊz/) or portmanteau word is a linguistic blend of words, in which parts of multiple words or their phones (sounds) are combined into a new word, as in smog, coined by blending smoke and fog, or motel, from motor and hotel.
The portmanteau that is Robonk comes from:
- Robot: The term robot originated from Czech “robota” for ‘forced labor.’
- Bonk: A common slang term for sex in the 1970s and 1980s was bonk.
Combine Robot and Bonk and the resulting portmanteau is Robonk.
- Use of Tinkercad for the source 3D drawing of Robonk, the chair, and the clipboard.
- Use on screen rendering in the edit mode of Tinkercad for screenshots of the “drawings” used in the comic strips.
- Having the shadow come off of Robonk.
I was deliberately going for some character in the drawings, and the screenshot method worked there. After all, the land of comic strips isn’t dominated by 100% reality nor perfection, right?! Exactly.
Some of the character of the illustration style that shows through is the odd nature of the throw rug under Robonk’s chair. That is the workplane from Tinkercad, and if you look closely at the far left corner of the rug when it’s visible, you’ll notice the text “Workplane” is present. Pictured below is a closeup from the bottom left corner of frame 03 from strip #00004.
Before taking a screenshot, sometimes I have to resize the workplane so the shadow will be from Robonk rather than his chair. Shouldn’t it be on both? Technically yes, but this is a comic strip. Any time you add manual intervention and verification to a system, you’re asking for the occasional failure. Here’s frame 02 of strip #00007 as originally released:
Here’s the fix that was released later:
Consistency isn’t as critical with Robonk as other projects (commercial or hobby) I’ve worked on, but it’s nice to have things within whatever standards have been set.
Being new the at comic strip game, something I’ve struggled with a bit is fonts, specifically the faces, weights and sizes.
We’ll start with one of the initial five alpha-level strips.
I chose that size and that font and went at it. I received some feedback that a robot font and/or talk bubble might be fun for the robot. I like the cleaner bubble, so that stayed, but after playing with some computer theme fonts, I found a winner. The human’s text got lost a little though, so I bolded it up. Balance achieved.
Did I pick the best font size out of the gate? Probably not. So, time for some trials. This is strip #00000 with the original font size, everything at 90%, and everything at 80%. This is not a perfect trial because with the smaller type, I might have gone with a different line breaks, but it gets across the basic idea all the same.
I decided that 90% was the winner and am going with that. Time will tell whether that was a reasonable decision or not.
A friend let me know a Comic-Con was happening over the weekend and wondered if I wanted to go. I thought it would be fun to debut a comic strip that day, but I didn’t have one. So, I created one.
I started working on Robonk around noon on 2017-03-09 and by noon on 2017-03-11 I was debuting the comic on a small strip of a table in Ontario, Oregon. Some people didn’t quite get it, which is to be expected. Those that did really did like it however, and laughing ensued. This was encouraging. Robonk clearly isn’t for everyone.
A lot was created in the first 48 hours, including:
- 80 scripts. Wanted to see how viable the concept was.
- A drawing of the Robonk and the chair in CAD software (Tinkercad).
- Five illustrated strips to show if it could be done. The title panels were less than ideal, but I was learning and you have to start somewhere, right?!
- Deciding on the name and reserving robonk.com which was available.
- A single sheet of paper (double sided) with the first five strips to hand out at the Ontario, Oregon event.
As I write this first blog entry, the website is being setup, and there’s a facebook page and a twitter account.
Robonk is still less than a week old. We’ll see how things develop as time moves along. Thanks for coming along on the journey.